Famous Historical Glass Engravers You Should Know
Glass engravers have actually been highly knowledgeable craftsmen and artists for hundreds of years. The 1700s were particularly significant for their achievements and popularity.


As an example, this lead glass goblet shows how etching incorporated design patterns like Chinese-style concepts into European glass. It also highlights just how the skill of an excellent engraver can produce illusory depth and visual structure.

Dominik Biemann
In the very first quarter of the 19th century the standard refinery area of north Bohemia was the only place where naive mythical and allegorical scenes inscribed on glass were still in fashion. The goblet visualized below was etched by Dominik Biemann, who focused on tiny pictures on glass and is regarded as one of the most crucial engravers of his time.

He was the son of a glassworker in Nové Svet and the brother of Franz Pohl, one more leading engraver of the duration. His job is qualified by a play of light and shadows, which is especially apparent on this cup presenting the etching of stags in timberland. He was additionally known for his deal with porcelain. He passed away in 1857. The MAK Gallery in Vienna is home to a huge collection of his works.

August Bohm
A significant Nurnberg engraver of the late 17th century, Bohm dealt with special and a sense of calligraphy. He engraved minute landscapes and inscriptions with strong official scrollwork. His job is a forerunner to the neo-renaissance design that was to dominate Bohemian and other European glass in the 1880s and beyond.

Bohm embraced a sculptural feeling in both relief and intaglio engraving. He displayed his proficiency of the last in the carefully crosshatched chiaroscuro (stalking) results in this footed cup and cut cover, which shows Alexander the Great at the Battle of Granicus River (334 BC) after a painting by Charles Le Brun. In spite of his significant skill, he never achieved the fame and ton of money he sought. He died in penury. His partner was Theresia Dittrich.

Carl Gunther
In spite of his determined work, Carl Gunther was an easygoing guy who delighted in spending time with family and friends. He loved his daily ritual of visiting the Collinsville Senior Facility to enjoy lunch with his pals, and these minutes of sociability gave him with a much required respite from his requiring job.

The 1830s saw something fairly phenomenal occur to glass-- it came to be colorful. Engravers from Meistersdorf and Steinschonau created richly coloured glass, a preference referred to as Biedermeier, to fulfill the demand of Europe's country-house courses.

The Flammarion engraving has actually become an icon of this new preference and has actually appeared in publications committed to science as well as those discovering mysticism. It is also discovered in many museum collections. It is believed to be the only enduring example of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) began his career as a fauvist painter, however ended up being interested with glassmaking in 1911 when visiting the Viard brothers' glassworks in Bar-sur-Seine. They gave him a bench and taught him enamelling and glass blowing, which he mastered with supreme ability. He developed his own strategies, using gold flecks and making use of the bubbles and other natural defects of the material.

His strategy was to treat the glass as a creature and he was one of the initial 20th century glassworkers wedding keepsake glass to utilize weight, mass, and the aesthetic result of natural flaws as visual aspects in his works. The exhibit shows the significant impact that Marinot had on modern glass manufacturing. Unfortunately, the Allied battle of Troyes in 1944 destroyed his workshop and countless illustrations and paints.

Edward Michel
In the early 1800s Joshua presented a design that resembled the Venetian glass of the period. He made use of a strategy called ruby factor engraving, which entails scraping lines right into the surface area of the glass with a tough metal execute.

He also established the first threading maker. This invention enabled the application of long, spirally injury trails of shade (called gilding) on the main body of the glass, a vital feature of the glass in the Venetian design.

The late 19th century brought new design ideas to the table. Frederick Kny and William Fritsche both operated at Thomas Webb & Sons, a British business that focused on high quality crystal glass and speciality coloured glass. Their work mirrored a choice for timeless or mythological subjects.